Over an ocean away…

My pal, Coleser, has recently hatched a plan for myself and a couple of other like-minded souls to go to the Sea Change festival in Totnes. He’s chosen well as he knows that of recent I’ve come to the conclusion that my days accompanying him to Green Man and End of the Road may well be over. Much too old and too soft these days. The lure of the damp sod, the open air stage and the beer tent no longer sufficient recompense for the dubious pleasures of uncomfortable nights, listening to the rain lashing the canvas and the sound of drunken oafs stumbling over guy ropes. Sea Change is a town festival, however, and as such provides simple luxuries like beds, roofs and comfy pubs. This pleases me immensely and I’m beginning to look forward to the weekend.

Headliners for Sea Change include Jane Weaver, Hookworms and the mythical Damo Suzuki. I’m also becoming quite keen to see this pair:

Group Listening

Paul Jones I do not know but he is apparently a long term, college friend of Stephen Black, whom as Sweet Baboo, I’ve followed for a while and indeed written about him, (here in fact). Over the course of a few years, I’ve seen Black playing bass behind Gruff Rhys, Euros Childs, Cate le Bon and H Hawkline more times than I care to remember (including a good few at Green Man) and also doing his own Sweet Baboo set at the Prince Albert in Stroud.

This Group Listening record that came out earlier this year is different again, though. Clarinet and Piano: Selected Works, Vol 1 sounds like the discouraging title of a John Cage or Brian Eno record, doesn’t it? Not that far off, to be honest. It is indeed a collection of ambient pieces, mostly covers, played in bewitchingly straight fashion on said clarinet and piano.

Something about this title and description made every fibre of my body scream Can’t Be Arsed when I came across it, but a little common sense and open-mindedness has yielded to me a light and beautiful treat that I could easily have missed. I am not clear how many of the tracks are originals and how many are covers, but a brief scan yields songs by Eno, Euros Childs, Dieter Roedelius and a gorgeous cover of Maryan which I really think you should hear

 

I’ve spoken before (at length) about my love of Robert Wyatt and I’m not generally keen on people piggy-backing on the great man’s genius, but here I’m willing to give them a pass. The pair manage to take a meandering, joy-filled, free-spirited original and give me something new. They constrain it a little, painting it in bluer, more directionless tones. Black talks in this interview about “a deep yearning… a positive sadness” about the interpretations and you can hear it here. Childs’ “The Dog” is another uneven triumph.

There’s also something very refreshing about dense, industrial, abstract krautrock compositions transcribed into lighter, more human tones by Jones and Black. You hear this very clearly in the Eno track, “Julie With”, not a song I knew previously. There’s a beautiful video released to go with it too, all bridges and channels, mundane blues and greys:

 

The richness of a slow summer…

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