Lucky Seven – Some Gigs of 2015

empty-stageI think I mentioned last time that with the end of Euros Childs at Thekla last week, 2015 is now complete as far as live music is concerned. 2014 was a pretty thin year for me, due to a combination of factors, but this year has definitely upped the ante for coming seasons. I’m slightly self-conscious about talking numbers because I know so many serious liggers who might smile indulgently into their Eindhoven Psychlab lanyards, but I think twenty (plus a music festival) is a decent haul for a middle-aged part-timer.

So having scratched about a bit last year, coming up with seven notable live sets of 2015 is a different sort of challenge to wrestle with. Here, then, in roughly chronological order, with an extra recording or two from each set:

The PP Lucky Seven – Live

 

“Worlds that crash each other…”

  1.   White Fence @ The Fleece, January

An electrifying start to the year, which I’d been looking forward to all over Christmas. Augmented by a slightly self-conscious Cate le Bon (not at that time fully bedded in, I felt) I remember being thrilled by Presley’s light, slashing guitar work (a rapier, if you will) and by his habit of wearing his guitar high, like the Beatles or the Hollies. Class. Also saw them in the summer and to be honest they were pretty average, which is ok, leaving as it does a glittering January evening to loiter a while in the mind’s eye.

All of this, and Ultimate Painting doing support.

Anger! Who keeps you under?

 

“Put me on a pedestal I’ll only disappoint you”

2.   Courtney Barnett @ The Fleece, March

This evening seems a very long time ago indeed, but once I listen back to the recordings, it all comes skittering back. Looking back at the lines I wrote at the time, I overuse words like languid and effortless, but the point was definitely worth making, (and repeating even) – Courtney Barnett has wit and intelligence in spades. And this was ably demonstrated over the course of a relaxed, easy-going March evening at the Fleece. Skilfully supported by a sympathetic band of work colleagues, her clever songs stood proudly in front of an enthusiastic clutch of Brizzle punters (with the addition of cool a couple of hipsterish Gloucester gents…)

Pedestrian at Best

 

“Spent some times in stormy weather…”

3.   Super Furry Animals @ The Guildhall, April

Unfortunately, this clip’s not from our show – I used the best one on YouTube in the original post – but it’s how many of this year’s comeback shows started, including SFA’s first gig for six years, in my very own Gloucester. Playing for just over two hours, and showing few signs of rust or arthritis, Super Furry Animals were excellent – powerful, imaginative and above all self-assured. Having seen Gruff play many times, but never with SFA, personally there was something of a sense of relief that I’d been able to do this. That, of course, and the fact that they were so damn good…

The Man Don’t Give a Fuck

“Can’t say I never warn you, can’t say I never tell you…”

4.   Misty in Roots @ The Tunnels, May

Perhaps predictably, I’m afraid there’s no video footage of this intimate little evening at the Tunnels club, underneath Bristol Temple Meads station. And not anything similar, so you’ll have to take my word for it, when I tell you that this too was a magical evening, although in an entirely different way.

Warm, earnest and loose, MiR made light of skanking their way through an hour and a half’s set, to an enthusiastic middle-aged, group of similarly warm, loose, if not quite so earnest souls. I remember being struck at the time that sore fingers and aching limbs permitting, these fellers could have gone on all night, doing what comes naturally. I might have had to sit down, but apart from that, you’d not have heard a murmur of discontent from me or anyone else there. Bewitching stuff…

True Rasta

“It’s not a game of monopoly”

5.   Jah Wobble, The Fleece, July

Again, not much in the way of video evidence, only some very ropey footage (in which I regret to say my bald patch features heavily), but this clip from Manchester shows Wobble in his pomp – wild fingers, toneless, reedy vocals and marvellously iffy dress sense. Another great evening at the Fleece (and the third in this list) which included more than a few PiL numbers, some jazzy tendencies, loads of booming, spaghetti-western-style reggae and dub, and a 15-minute version of the Liquidator. Engaging and captivating throughout, an enormously entertaining evening.

New Mexico Dub

 

“Light as a feather, bright as the Oregon breeze…”

6.   Sufjan Stevens, Colston Hall, September

Carrie and Lowell is a beautiful, sad, profound record and if I’m honest, having got hold of a precious ticket for this gig, I was a little concerned that any live performance would be unable to match the intensity of the record, maybe even spoil it a little (I can think of quite a few records that I’ve never listened to again after seeing the artist live). I needn’t have worried, of course.

A spellbound Colston Hall audience sat back, slack-jawed, as Sufjan put on an incredible show, each song performed with a depth and thoughtfulness that enhanced them further. Don’t think I’ve ever seen an audience as mesmerised by a concert…

Should Have Known Better

(And in the very starkest of contrasts…)

 

“Lauren Lavern keeps playing Tumbling Dice”

7.   Sleaford Mods, Bierkeller, October

Actually, I’ve said the Bierkeller but the May gig was just as good, and although the footage here is actually from that date at the Exchange, I could’ve done either. Both were just brilliant, loud, bleak, profane and above all witty. Still not got much clue what he’s singing about most of the time, but, really, it’s your gut Williamson speaks to mostly…

White hot…

Bronx in a Six (Exchange)

Bronx in a Six (Bierkeller)

Auntie Clancy and Uncle Dillard…

maxresdefaultWent to the recently-spruced up Thekla for the first time in ages, last week, to see the evergreen, ever-whimsical Euros Childs, and a quality evening it was too.

Euros

Having scrambled to get in on time, (and therefore missed the support band – something of a feature of this year), we were treated to a lovely show, full of off-kilter charm and light melancholy, with Euros backed by his own keyboard but also by a full band, including the thrilling mandolin-flute of Laura J Martin.

Mostly, he ran through the group of bewitching songs that make up his new record, Sweetheart and very good they were; but thrillingly, he did manage to find time to fit in a jaunty version of one of my favourites, “Heywood Lane”, and by a stroke of very good fortune, there’s this footage of it from another leg of the tour:

 

And while on YouTube, I came across this little gem, which features a charmingly inept Mel Fung inviting Euros and a couple of other musicians I didn’t know, to play outside her house in Cardiff. There’s chatting, drinking, table tennis and a bit of singing. Look out particularly for the part where the power fails but… trooper that he is, Euros ploughs on, plonking away on a dead keyboard until he’s plugged back in.

 

Inexplicably, I forgot to take my little recording device with which I like to capture these events, so I’m afraid there’s nowt to show for my last gig of ‘15.

It did get me thinking about the gigs I’ve managed this year, though…